From Seoul, South Korea, Sahae has been steadily building a name for himself with his distinctive Flow-based Blackwork style, a tattooing approach that emphasizes both the movement of ink and the natural flow of the human body.
Today, his work reflects not only technical precision but also deep responsibility, as he sees tattooing as a lifelong commitment both for the artist and the client. Beyond Korea, Sahae has brought his art to Europe and Australia through guest spots, competitions, and conventions, recently earning recognition in the Blackwork and Bodysuit categories. Dedicated, ambitious, and always learning, he strives to push boundaries and create large-scale works that harmonize fully with the body. Let’s get to know better with Sahae in this exclusive interview.
How would you like to introduce yourself?
I’m Sahae, a tattoo artist, mainly working in black work and flow style. My work focuses on harmony with the human body’s form and natural flow.
Where can people usually find you?
I’m based in Seoul, South Korea, but I also do guest spots in Europe and Australia at certain times of the year.
What first drew you to tattoos?
When I first discovered tattoos, I was fascinated that it wasn’t art on a canvas, but something permanent on the body. The idea that a single moment of art could live forever was what made me choose this path.
What does tattooing mean to you personally?
For me, tattooing isn’t about giving meaning, it is meaning itself. The act of tattooing is my purest form of expression, and through it, I exist.
When did you decide to become a professional tattoo artist?
At 17, I saw tattoos on social media for the first time. I was amazed by how detailed artworks could live on skin. That moment, I decided I wanted to create pieces that make people feel the same awe.
How often do you do guest spots?
Recently I’ve worked in Australia and across Asia. Guest spots are not just about tattooing, they’re about cultural exchange and connecting with new clients and artists, which I find very inspiring.
What has been your most rewarding moment?
One memory that stands out is finishing a 100-hour piece. When we were done, my client and I hugged and shouted in joy, admiring the work together. That kind of human connection is what makes tattooing unforgettable.
How would you define your style?
I call it flow-based black work. It combines two meanings: the flow of ink and oil, and the anatomical flow of muscles and bones.
What is your creative process like?
Consultation → sketch & design → freehand → tattooing.
I always begin with a deep conversation, then sketch roughly on client photos, and finally refine everything with freehand drawing on the body.
How do you balance client requests with your artistic vision?
I always respect clients’ ideas, but I also add my own interpretation. The goal is to create harmony between their wishes and my style.
What ethical values are important to you?
Of course, hygiene, and skill are essential, but the most important thing is responsibility. Tattoos last a lifetime, sometimes more than 80 years. They can’t be taken lightly. I’ve spent years proving even in a short time that I approach every piece with that sense of duty.
How do you continue learning?
I learn by connecting with artists around the world and exchanging inspiration. Beyond tattooing, I also study culture and creative industries to broaden my perspective.
Thoughts on social acceptance of tattoos?
Right now, Korea is the only country where tattooing is illegal. Thanks to the efforts of many in the industry, legalization is close. Still, because it’s been underground for so long, there are prejudices left to overcome.
What are common misunderstandings clients have?
Some people think tattoos are just designs, not realizing their the result of time, experience, and skill. Many Korean artists don’t receive the respect they deserve. I hope perceptions will slowly but positively change.
Can you share some of your recent experiences?
I recently joined the Korea Tattoo Convention in Seoul. Meeting so many artists and seeing their work gave me new energy and ideas.
Have you competed in contests or won awards?
Yes, I competed in the Black work and Back piece/bodysuit categories. I was honored to win 2nd Place in the Back piece/bodysuit category, which gave me strong motivation to keep pushing my art further.
Which of your works are you most proud of?
The torso flow piece I presented at the tattoo convention. Large-scale flow tattoos across the whole body are what I’ve always dreamed of creating, and this piece was a milestone for me.
Any advice for aspiring tattoo artists?
Tattooing can be a blessing, but if done carelessly, it can also feel like a curse. My advice is to dedicate time, patience, and heart into your craft so that every tattoo you create feels like a blessing for the client.
What are your future goals or dreams?
My next goal is to create powerful, large-scale works that combine flow style with other elements in new ways. In the future, I hope to work on international stages and share my art with people all over the world.
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