As of 2025, Paul Booth has been tattooing for an impressive 37 years, earning himself a legendary status in the world of tattooing. Revered for his haunting black and gray masterpieces, Paul’s influence goes beyond artistry, gaining him numerous international awards and the unwavering respect of the global tattoo community. We are deeply honored to have this exclusive interview with Paul, as he continues to push and influence the limits of creative expression.
Hello Paul, for the rare readers who may not be familiar with you, how would you introduce yourself?
I was created at the dawn of creation. I am temptation. I am the snake in Eden. I am the reason for treason. Beheading all kings, I am sin. With no rhyme or reason.
Sun of the morning, Lucifer, Antichrist. Mephistopheles. Satan.
How did your journey into tattooing get started?
I simply got one. When I was 19, I had a kid and got her name tattooed on me to try and cope with becoming a new dad. I fell in love with the whole ritual and developed a tremendous desire to learn the craft. This was back in 1988. I scraped up $5,000 for an apprenticeship and off I went.
I started in 1988 on Halloween, under the guidance of Ernie White in Butler, New Jersey. It was a very traditional, old-school apprenticeship.
Tattooing completely consumed me from the very beginning—and it still does.
Where are you currently based?
I’ve been in New York City since 1998. After COVID, I closed my studio and moved to New Jersey, just outside the city. I’m now working full-time in a private studio—and loving every minute of it.
How would you describe the tattoo scene in the U.S. these days?
Honestly, I don’t know much about the scene anymore. It’s almost completely foreign to me. I’m one of those grumpy old-timers who doesn’t understand the youth.
How would you personally define your tattoo style?
I suppose you could call it dark surrealism. It focuses on the macabre and the darker sides of human nature. I work primarily in black and grey, with a focus on flow and texture.
What kind of tattoo projects do you like to do the most?
The larger the project, the more I enjoy it. Not that I don’t like the occasional one-sitter, but I really thrive when I can develop larger, more in-depth pieces.
What’s the main source of inspiration for your tattoos?
The evil that men do, I suppose.
What’s the most challenging aspect of being a tattoo artist in 2025?
For me, it’s social media. Trying to build the habits necessary to use it successfully is tough. I hate social media and don’t post nearly enough.
What’s the most rewarding aspect of being a tattoo artist?
It might sound cliché, but I still get a huge thrill when people devote large areas of their body to my art—and commit to wearing it for the rest of their lives. That still blows me away and keeps me focused on making every tattoo the best it can be.
As tattoo artists, what is your opinion on tattoo conventions based on your long career?
Tattoo conventions are incredibly inspiring for me. First, I get to meet so many fans who say my work inspires them which in turn inspires me. Second, I get to meet artists I’ve only seen online and view their work in person. That’s always a treat. That said, I do miss the camaraderie of the old days.
Do you remember the first tattoo convention you ever attended?
Yes—Anaheim, California, in 1991. I met tattoo legends like Jack Rudy and Kari Barba. It was a deeply enlightening experience.
What’s your primary reason to attend a tattoo convention?
Pretty much what I’ve mentioned before: connecting with fans and fellow artists. It fuels my creativity.
What’s your favorite tattoo convention so far, and why?
I’ve done way too many to pick just one. It’s impossible. I love traveling, and every show feels like its own adventure.
What advice would you offer to someone considering a career as a tattoo artist?
Honestly, I don’t even know how to advise someone in this era. The industry has changed so much. Anything I’d say applies more to 20 years ago. That said, don’t worry about fame or money. Those things come with talent and hard work. Just focus on being the best artist you can be, and the rest will follow.
Who are the people you admire the most within the tattoo community?
Definitely the OGs artists like Jack Rudy, Filip Leu, and others from that era. They’re the foundation of what we all do.
What’s your biggest accomplishment as a tattoo artist?
Surviving 37 years in this industry and still loving the craft. That, to me, is the biggest win.
Do you do other forms of art besides tattooing?
Absolutely. I sculpt, paint, work with 3D design, create music—anything artistic that catches my interest. I’ve made it a goal to master new art forms as I discover them.
What are your goals or dreams for the near future?
There are still a few places in the world I’d love to visit before travel becomes impossible. But mostly, I just focus on the present, and living fully in the now.
Is there anything else you’d like to say to our readers?
Thanks for reading!
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