For serious tattoo collectors, discovering an artist with both technical mastery and a truly personal style is like striking gold—and Lisa Kao is one of those rare finds. Based in Vancouver, BC, Kao has carved out a name for herself in the world of Blackwork, Ornamental, and Fineline tattooing, creating visually striking pieces.
In this candid conversation, Kao opens up about the tattoos that shaped her, the challenges of staying authentic in a social-media-driven world, and what collectors can expect when they sit in her chair. If you love tattoos that speak louder than words and flow naturally with the body, Kao’s work might just be your next project.
For those unfamiliar with you, how would you introduce yourself?
I’m a tattoo artist with five years of experience, specializing in Blackwork, Ornamental, and Fineline styles. My journey as an artist began when I was just five years old, and that early spark has grown into a lifelong passion for creativity and design. Inspired by the world around me, I let everyday moments guide my work, bringing a personal, thoughtful touch to every piece.
My love for design earned me a scholarship to fashion school, where I refined my artistic skills and eventually became a fashion designer, graduating with a degree from the Visual College of Art & Design.
When I’m not tattooing, you’ll likely find me reading manga, painting with acrylics, or exploring the city in search of the perfect cup of coffee.
Where did your fascination with tattoos come from?
I discovered the power of tattoos at 16, realizing they could be more than just art, they could be a source of confidence, beauty, and self-expression. As someone deeply passionate about fashion, I see tattoos as an extension of my style and identity. At first, I believed every tattoo needed a specific meaning. But over time, I began choosing designs that simply resonated with me, symbols of nostalgia, pieces of my childhood, and moments I never want to forget. Each one tells a story, whether deeply personal or simply a reflection of what I love.
When did you become a professional tattoo artist?
When I realized I no longer wanted to pursue fashion design and finally listened to my gut, to the voice of my five-year-old self who always dreamed of being an artist, I committed fully to tattooing. I completed two apprenticeships and spent 2.5 years honing my craft. In 2019, I officially became a professional tattoo artist.
How do you balance your creativity with the client’s personal vision?
I usually create one to three design variations for clients to choose from, one that aligns closely with their original idea, along with versions that include my own creative input. I also prefer to work freehand most of the time, which helps the design flow more naturally with the body.
How would you describe the tattoo scene in Canada today?
It’s well established, with Realism and Fine line styles being particularly popular and widely appreciated.
How would you define your current tattoo style, and how did you end up focusing on it?
My main focus is Blackwork, with some exploration of Ornamental styles. While I find Ornamental challenging and don’t specialize in it, I discovered Blackwork somewhat unexpectedly. While tattooing a black armband, a colleague complimented my ability to pack black ink.
I thought, “What’s so special? Any artist can do that.” But after hearing similar feedback multiple times, I started paying closer attention. I realized that my artwork often included abstract black elements, and that the style I was naturally drawn to had been right in front of me all along.
What’s your process when starting a new tattoo for a client?
I begin with a consultation to discuss ideas, references, and placement. I then create a draft and usually take one to three days to finalize the design. On the appointment day, I go over the design with the client, make any adjustments, and sometimes freehand the design directly on their body to ensure a perfect fit.
What’s the most challenging aspect of being a tattoo artist in 2025?
Social media can create a lot of pressure to stay relevant, which often leads to burnout. And living in one of Canada’s most expensive cities makes it difficult to take time off without guilt. Slowing down sometimes feels like falling behind. Tell us about a project that really tested your skills.
I spent four hours stenciling a mandala that wrapped around the lower calf, a tricky area due to its curves. I had to ensure the design flowed naturally and stayed centered. It required every skill I had: lining, shading, and freehand drawing. I carefully blended the shading to achieve softness while maintaining clean lines. It was created for a convention and had to be completed in just three days.
What has your experience with tattoo conventions been like?
Conventions can be tough but ultimately rewarding. No matter how prepared you are, something always goes wrong. It’s essential to stay vigilant, pack extra supplies, and book in advance. Still, they’re one of the best places to build community.
Have you ever participated in a tattoo contest?
Yes, and this year I won two awards for Blackwork.
Why do you attend tattoo conventions?
To step out of my comfort zone, grow as an artist, and build lasting friendships.
How could tattoo conventions improve for artists and the public?
It would help if more supplies were provided for artists, especially tattoo station setups, and Wi-Fi is a must. For the public, more promotion and a stage screen to show live action would enhance the experience.
What’s been your favorite tattoo convention so far?
The Edmonton Tattoo Convention. It had a massive venue, all supplies were provided, printing was smooth thanks to a dedicated engineer, and they even had a free ink table if artists needed anything.
What advice would you give to first-time artists attending a convention?
Eat well, sleep well, bring a strong portfolio, and decorate your booth in a way that reflects your style. And most of all, enjoy it!
What advice would you offer to someone considering a career in tattooing?
Don’t let your ego hinder your growth, there’s always something new to learn. Tattooing is both an art and a business. Stay motivated, build strong habits (especially regarding hygiene), and experiment with different artistic mediums.
Who are the artists you admire most in the tattoo world?
I admire many, but one of my favorites is Yukler (@yukler_boo). She tattoos mostly freehand and draws inspiration from Japanese art, which I find beautiful and culturally rich. Her slightly eerie twist on things makes her work truly unique.
What do you consider your biggest accomplishment as a tattoo artist?
This year I’ve focused on goal-setting and developing my own style. In the beginning, I didn’t know what direction to take. I was good at executing clients’ ideas, but when it came to expressing my own, I felt lost. I was drawn to many styles but didn’t commit to one. Eventually, abstract blackwork came naturally to me without much effort. I used to think I had to master every style to be a great artist, but I’ve learned that trying to do everything can dilute your identity. Finding my lane has been a turning point.
How do you stay at the top of your game and continue growing?
I ask questions, study new techniques, experiment with different brands, and produce multiple design drafts. Most importantly, I prioritize my health, because creativity flows best when you feel your best.
What’s the most meaningful feedback you’ve received from a client?
A client once told me: “Don’t forget, you are a badass! You did an amazing job, and so many people agree and love your work. Remember how far you’ve come and how hard you’re working to develop your new style you’re absolutely crushing it! I’m honoured to be your canvas. Let’s go for the big win at the next convention.”
What are your goals for the near future?
To tattoo full bodysuits while prioritizing my health and staying present to enjoy life’s moments.
Do you have any sponsors?
Not yet, but I’d love to be sponsored by a brand whose products I truly believe in.
Anything else you’d like to share with our readers?
I’m based in Vancouver, BC. If you’re into abstract designs, florals, or dark gothic blackwork and would love to collaborate on a piece, you can find me on Instagram: @kao.ink.
Leave A Comment