For the readers who are not familiar with you, how would you introduce yourself?
My name is Julia, I’m 32 years old, and I specialize in Grey color realism. I started my apprenticeship in 2020 under Sascha Linz, a well-established realistic tattoo artist. For the first 1.5 years, I focused solely on drawing before moving on to tattooing on fake skin and then on real clients. I’ve been doing large-scale realism projects for about 3 years now.
Where did your fascination for tattoos come from?
I’ve always enjoyed drawing, especially as a child with my grandmother. I believe I inherited my talent from her. Tattoos always fascinated me because they allow you to turn emotions into permanent artwork—something deeply personal and lasting.
How and when did you start tattooing?
I started my apprenticeship in 2020. The first 1.5 years were all about learning to draw professionally and build technical confidence. Then I practiced on fake skin before tattooing real people. It was tough getting through the apprenticeship. I constantly reached my limits- physically, mentally and emotional.
These were moments where I felt overwhelming but never lost focus. I pushed through, stayed consistent and kept working hard to improve every single day. Looking back, that persistence is what shaped me the most. Honestly, not much has changed since then. I still push myself every day and constantly hit new limits. The drive to improve never stops.I am still in the process- always trying to be better than I was yesterday.
Where are you based?
I’m based in Blieskastel – Germany, where I run our studio “Schwarz-Weiss Tattoo” together with my best friend & love Sascha Linz.
To get an appointment you can write an e-mail via our homepage www.schwarzweisstattoo.de Every year on the 1st of June our books are open.
How would you describe the tattoo scene in Germany these days?
It’s growing fast and becoming more mainstream. Unfortunately, many underestimate the seriousness and responsibility of this profession. It’s not a trend or a quick way to make money—real tattooing takes skill, discipline, and a deep respect for the craft.
How would you define your tattoo style?
Grey color realism with a strong focus on contrast, clean lines, and clarity. My signature is clean execution, solid blacks, and precise lines that give the tattoo a polished, almost Pixar-like feeling—soft yet structured, emotional yet technically sharp. I love working in black and grey because it lets me reduce everything to what really matters: light, shadow, and emotion.
What kind of tattoo projects do you like to do the most?
Portraits. Whether on skin or paper, capturing emotion in a person’s face is always a rewarding challenge. Every portrait tells a story, and every person brings something unique to the piece.
What’s the main source of inspiration for your tattoos?
Emotion. I want to create tattoos that mean something and resonate on a deeper level—especially in tough or meaningful moments in someone’s life. That’s what drives my work.
What’s the most challenging aspect of being a tattoo artist in 2025?
The combination of physical strain, mental focus, and responsibility. Many underestimate what it takes: hygiene regulations, knowledge of skin types, allergies, wound healing etc., and the mental load of constant precision. It’s a demanding profession that goes far beyond art.
Another big challenge these days is that being a tattoo artist isn’t just about doing great work anymore. You also have to be your own content creator, video editor, social media manager and constantly stay visible online. That takes a huge amount of time and energy – and it often distracts from the actual art. Balancing both can be really hard, especially when all you want is focusing on your craft.
What’s the most rewarding aspect of being a tattoo artist?
Creating something permanent that means the world to someone. Knowing that my work will stay with a person for life is something I deeply respect. On top of that, being able to work independently and creatively is something I’m very grateful for.
What’s your experience at tattoo conventions so far?
I’ve been to two conventions so far, and both were amazing. I met great people, exchanged ideas, and saw incredible work. At my very first at the Life EXPO Convention in Luxembourg, I even won 2nd place in the “Best of Realism” category—an unbelievable moment, especially so early in my career.
Do you remember the first tattoo convention you have ever been to?
Yes, I remember it very clearly. The energy, the people, and the overall experience were unforgettable. I was so nervous, showing my work to so many people .Winning 2nd place for Best of Realism on my first try was a surreal and motivating experience.
What’s your primary reason to attend a tattoo convention?
Exposure, growth, and inspiration. It’s a chance to meet other professionals, learn, and showcase your own work. The energy at conventions pushes you to aim higher.
What’s your favorite tattoo convention so far? And why?
“Gods of Ink” in Frankfurt. I’ve only been there as a visitor, but the atmosphere was unlike anything else. The world’s best tattoo artists were there, including many of my personal idols. The vibe was intense and full of passion—absolutely unforgettable.
What advice would you offer to someone considering a career as a tattoo artist?
Don’t rush. Learn to draw first, build your foundation, and respect the craft. Tattooing isn’t about trends or fast money—it’s a serious responsibility you carry every day – and a lifelong learning process.
Who are the people you admire the most within the tattoo community?
I’ve known him for over 20 years , and he’s the reason I got into tattooing – Sascha Linz. He believed in me early on and taught me not just technique, but the values behind the profession. I couldn’t have had a better mentor and I am so grateful. I love his art, the way he works and how much time he takes for every single client. It’s not just a job for him and that is what I deeply admire.
What’s your biggest accomplishment as a tattoo artist?
Winning 2nd place for Best of Realism at my very first convention, was a massive moment for me. Since then, I’ve also won the public voting at the DGN magazine contest, also 1st place in Best of Realism and 2nd place in Best of Black and Grey. These achievements mean a lot- they show that the hard work and all the pressure are worth it. And of course , running my own studio together with Sascha Linz is something I’m incredibly proud of. Let’s see what lies ahead on my path- looking forward to it.
Do you do other forms of art besides tattooing?
Yes, drawing is a constant part of my life. I sketch regularly to refine my technique and explore new ideas—it’s the foundation of everything I do as a tattoo artist.
What are your goals or dreams for the near future?
One of my biggest goals is to tattoo at “Gods of Ink” in Frankfurt. Being on that stage with some of the best artists in the world would be a huge honor. Beyond that, I want to keep pushing my limits, take on more emotional and complex projects, and never stop improving.
Is there anything else you would like to tell our readers?
For me, tattooing is more than just a job – it’s something I put a lot of time, energy, and heart into. Every piece is permanent, and that alone should be enough to understand the level of care it takes. As artists, we carry a big responsibility with every session. It’s not always visible from the outside, but there’s so much behind each tattoo – from planning and technique to trust and connection. That’s why I think it’s important to not only appreciate the tattoos, but also respect the people who create them. A tattoo is forever. You live with it every day – and you take it with you when you go. There’s nothing else in this world that stays with you like that.
So no, it shouldn’t be about how fast it’s done. It should be about how well it’s done. In a world that never stops rushing, this is something worth slowing down for. Whether you’re the artist or the one getting tattooed – take the time it needs. Because forever deserves your full attention.
Choose your artist wisely, and to fellow artists: never forget the roots of this profession. Stay true to the art and don’t lose sight of what this art really stands for.
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