Hunbi is an artist whose chosen medium happens to be tattooing. For him, every tattoo is far more than decoration,… it is a story permanently etched on skin with precision and dedication. Clients come to Hunbi not only for his skill, but also for his ability to transform personal narratives into unique works of art they can proudly carry for life.
He describes tattoos as “life-scratching” marks that go beyond fashion or trend, carrying weight, memory, and determination. Each design is created entirely freehand, drawn over hours in his studio, ensuring that every piece flows naturally with the body and reflects the individuality of the wearer. Whether in Seoul or abroad, he treats every tattoo as a one-on-one collaboration, always balancing creativity with respect for the craft and the client.
Join us as Hunbi shares his journey and insights in an exclusive interview that dives deep into the art of tattooing and beyond.
How would you like to introduce yourself?
Hello, I’m Hunbi, a tattooist based in Korea. I run my own solo studio in Mullae-dong, Seoul.
Where can customers find you?
I work independently at my private studio in Mullae-dong, Seoul, South Korea.
How would you describe the tattoo scene in your country these days?
The tattoo scene in Korea still has a lot of legal restrictions. Tattooing is officially classified as a medical practice, which makes it difficult to operate legally. Still, there are countless talented artists, and styles are diversifying so quickly that the scene continues to thrive despite being “illegal.”
Individual artists are carving their own paths, quickly absorbing and developing global influences. The competition is fierce, but that only proves the passion here.
How would you define yourself in one word?
Obsession. Without this obsession, I don’t think I would have found my own style. Of course, I’m still in the process of exploring and evolving.
Where did your attraction for tattoos come from?
When I was young, I thought tattoos were simply cool. But what truly fascinated me was the idea of leaving an image permanently on the body. I started painting late, but tattoos made me take art more seriously and that decision changed my life. Tattoos aren’t just decorations to me; they are records, weight, and determination.
What do tattoos mean to you personally?
For me, tattoos are “life-scratching.” They are not just decoration or trend they carry much deeper meaning.
At what point in your life did you decide to become a professional tattooist?
I always loved painting, but it wasn’t until I got tattooed myself that I realized I could make a living through art. As my drawing skills improved and people started seeking me out, I felt, “This is my life’s work.” That was the moment I fully committed to tattooing.
How did your family react when you started your tattoo career?
At first, not well as is often the case in Korea. But over time, they began to recognize my work and slowly became more understanding.
Did you go through an apprenticeship? How was the experience?
Yes, but it was very strict. My teacher corrected me directly without sugarcoating anything, and the standards were extremely high. To me, that teacher became both a mentor and family. I earned nothing for several years, but I endured because I loved painting.
What was your first tattoo like?
Looking back, it was quite immature. It was a very simple design on a friend, and I was so nervous my hands were shaking. But even from that small piece, I felt, “This is my path.” My skills were lacking then, but that tattoo was the first step in my journey.
Do you usually do guest spots? If so, what has your experience been like?
I haven’t done too many, but I’ve traveled abroad and to other cities for guest work. My style is strong and heavy, often leaning toward black-centered Japanese influence, and there are clients everywhere who appreciate that.
One memorable experience was going to Europe alone. My English wasn’t great, but I still managed to find clients and tattoo on the street. Those challenges shaped me. Working outside of a familiar space is very important for growth as an artist.
As a tattooist, what does your daily routine look like?
I usually start my mornings with a workout, it clears my mind and improves my focus. After that, I head to the studio, where I either draw, design, or work on clients. I draw all my designs by hand, often spending four to six hours a day sketching at the shop.
Even when I don’t have clients, I still go to the studio to create new designs, folding screen artworks, or exhibition pieces. I also handle all client communication personally and design everything one-on-one, fully customized.
On top of that, I teach juniors and give feedback on their drawings. It may not sound glamorous, but for me, it’s the most enjoyable and perfect routine.
What do you find most amazing about being a tattooist?
That the drawings I create become permanently engraved on living, moving skin. My art goes from paper to a human being and for many clients, the tattoo becomes memory, healing, or determination. That transformation is the most amazing part.
How do you determine the price of tattoos?
It depends on four main factors: Complexity, placement, size, and time required. Since I do a lot of freehand and custom designs, the price often varies with the difficulty of the work. Simply put: “easy and fast = cheaper, difficult and detailed = more expensive.”
What is the most difficult aspect of being a tattooist in 2025?
Today, being good at drawing isn’t enough. You need to manage branding, social media, time, physical and mental strength, and consistency. Technology and trends move so fast that every day feels like a competition. If you work without sincerity or originality, clients will notice right away.
What is the most rewarding aspect of being a tattooist?
That someone chooses to carry my artwork as part of their life. When clients tell me that their tattoo has boosted their confidence, helped them heal, or became one of the best choices of their life. That’s priceless.
What tools and machines do you prefer to use?
I use the LASER brand, specifically a pen-type machine.
