Today, we’re thrilled to chat with Mr. Jaco Abarca, a Chilean prodigy in Japanese-style tattoos. With more than 20 years of experience, Jaco seamlessly blends traditional aesthetics with innovative twists, captivating clients with his unique, culturally rich designs, as you can see and read below. Let’s learn more about him!
For the readers who are not familiar with you, how would you introduce yourself?
Hey there, folks who might not know me yet. I’m Jaco Abarca, a tattoo artist hailing from Santiago, Chile, down in South America. I’m your go-to guy for Japanese-style tattoos, and I’ve been rocking the ink scene professionally for a cool 18 years. But if you want to get technical, I started dabbling in this art form almost 24 years ago. So buckle up for a journey through the world of Japanese-inspired ink with yours truly.
Where did your fascination for tattoos come from?
My fascination with tattoos is a crazy mix of family vibes and a rebellious artistic streak. See, my grandpa sported a tattoo, and that always intrigued me and my siblings. Drawing’s been my jam since forever, but the real deal kicked in through music. We were never into mainstream tunes, so when we saw musicians rocking ink, we had to know how it was done. Our DIY journey started with designs on tracing paper, Bic pen masterpieces, and sticking those on with deodorant. Yeah, we even went a bit wild once, marking ourselves with sewing needles and India ink—superficial, of course. I always dreamed of getting inked with my siblings, and guess what? We pulled it off, haha! Tattoo adventures with the bros—mission accomplished!
How and when did you start tattooing?
So, the tattoo journey started around 2000 or ’99, it’s a bit blurry. After my old man passed away, I was dead set on diving into something art-related, you know? Living the dream and all that. Enter a buddy of mine, the kind we used to watch WWF with back in the day. He had this homemade tattoo machine and used to ink himself. One day, he asked if I wanted a shot at it, knowing my brother and I were into drawing. The moment I laid down that first line, man, it was love at first sight, haha! I realized this could be my ticket to making a living doing what I loved—drawing. With each line, the itch to do more grew. Admittedly, that first tattoo wasn’t a masterpiece by any stretch, but it sure beat the ones he had. I kept at it, and word got around. People started asking me for tattoos, which was insane because they must’ve been pretty terrible, hahaha! But it was a wild ride and a learning experience. It was all part of getting comfortable with the skin canvas, and honestly, it was enriching as hell.
Where are you based?
Right now, I’m kicking it in Santiago, Chile. More precisely, my little tattoo haven is right smack in the heart of the city. It’s my own private studio where the ink magic happens. Santiago’s got that buzz, you know? And having my spot in the thick of it—I can’t beat that. If you’re around, swing by and let’s chat ink!
How would you describe the tattoo scene in (your country) these days?
Man, the tattoo scene here in Chile is on fire right now. It’s looking solid, to be honest. The talent level is through the roof, especially considering the challenges we face in South America. You feel me? Getting your hands on the latest iPad, top-notch machines, and all that jazz can be a bit of a mission down here. But despite the hurdles, we’re making it happen, and that’s pretty darn cool. The passion in the air is contagious. Everyone’s hungry to step up their game constantly. It’s like a collective mission to keep pushing the boundaries. And style-wise, it’s a whole buffet—so much variety. Traditional, realism, new school, you name it. The ink game is thriving, and it’s a vibe I’m loving.
How would you define your tattoo style?
My tattoo style? Well, it’s like a mashup of Japanese traditional vibes but with a bit more flair, you know? Picture this: I’m rocking those bold and fine lines, throwing in a hint of brushstroke, kind of like Ukiyo-e art. But here’s the twist—it’s got that wild, colorful South American kick. It’s a fusion, man. Always evolving, always in motion. I dig the Japanese tattoo scene big time. I even hopped over to Japan to soak up the culture and throw some ink around. But here’s the thing—I’m not Japanese. And honestly, that’s a plus. It gives me this freedom to mix it up, blend styles. Don’t get me wrong, I’m constantly diving into Japanese tattoo art, and lately, I’ve been dabbling in a bit of neo-traditional, although not as much as in the good old days. It’s a journey, man. Always learning, always pushing the boundaries.
What kind of tattoo projects do you like to do the most?
Ah, the tattoo projects that get me hyped the most? Definitely backpieces—especially dragons, hahaha! I’m a sucker for the ink game, but what I love even more is that moment of creation. It’s all about envisioning the scenario; the character caught up in some dramatic vibe. That’s the sweet spot for me. Backs are my canvas of choice. You got that real estate to compose some epic ink. Sleeves, too—I’m all about those full-arm masterpieces. Frontal pieces pack a punch, no doubt, but dealing with nipples and navels can be a bit tricky. Plus, in my book, the pain level cranks up, and it’s tough to snag consistent clients for full-frontal work. As for designs, I’m all about dragons, hannya masks, and deities. But honestly, whatever the client throws my way, it’s a joy to bring it to life. Happy clients make a happy artist, do you feel me?
What’s the main source of inspiration for your tattoos?
Oh, man, inspiration for my tattoos comes from all corners of life. Books, sculptures, movies, even video games—it’s a goldmine. Video games, in particular, are a treasure trove. You get this killer combo of colors, hero poses, the whole deal. It’s like a visual feast. But it doesn’t stop there. I dive into books, flip through colleagues’ sketchbooks, and just soak up everything. Most crucially, though, it’s about putting pencil to paper. You can draw without overthinking it, you know? Letting the creativity flow. From there, ideas spark, maybe even the blueprint for a future tattoo. It’s a wild ride, man.
What’s the most challenging aspect of being a tattoo artist in 2023?
Man, the tattoo game in 2023? It’s got its hurdles, and the biggest one? Social media, hands down. The constant need to throw our work out there, like in the tattoo world, revolves around Instagram. But, truth be told, tattooing isn’t on the internet, and it sure as hell ain’t Instagram. Sometimes it feels like we’re caught up in this game of always trying to impress. Personally, I’m not a fan of the idea of being some internet persona, you know? No offense to anyone doing their thing online, but tattooing is a service, an art, and I think the real challenge is finding that balance. How do you outdo yourself without overshadowing everyone else? It’s about keeping that beautiful ritual of tattooing alive. I’m not here to step on anyone’s toes, but let’s be real—social media is a double-edged sword, impacting the industry in both awesome and not-so-awesome ways.
What’s the most rewarding aspect of being a tattoo artist?
Being a tattoo artist is like losing yourself in the most epic journey. The reward? It’s in pouring your artistic soul onto someone’s skin and seeing them walk around with your creation. And let’s talk about the perks—traveling the world, leaving your mark on it, in a way. On people, who age, who live, and who carry your art. That’s why it’s crucial to always give your best shot, whether it’s a massive piece or a tiny walk-in. Nailing the client’s idea, getting that nod of approval—it’s priceless. You become a part of their story; maybe you even help them heal a bit. Those moments, my friend, are the real treasures in this game.
What’s your experience at tattoo conventions so far?
Tattoo conventions have been quite a ride, I must say. I’ve been part of several here in Chile and even ventured into some abroad. It’s a fantastic stage to showcase your work, connect with fellow artists, and witness their live creations. The buzz, the energy—it’s like a vibrant, inked carnival. I’ve been lucky to score some recognition for styles I specialize in. Heck, once in 2010, I even bagged the best of the convention. The lead-up to these events can be stressful, no doubt, but the payoff is always worth it. The camaraderie, the appreciation—it’s the heartbeat of the tattoo world.
Do you remember the first tattoo convention you have ever been to?
Absolutely. I remember it like it was yesterday. My first tattoo convention experience was back in 2008 at the 4th International Tattoo and Body Art Convention held in Santiago, Chile. It was an eye-opener, stepping into a world where ink and creativity collided. The buzz, the talent—it left an indelible mark on me. Since then, conventions have become a canvas where I not only display my art but also soak in the diverse tapestry of the tattoo community. Good times, great memories!
What’s your primary reason to attend a tattoo convention?
For me, it is like joining a vibrant artistic carnival. It’s about sharing moments with colleagues, both those who come from afar and those I deeply admire. The conventions provide a stage where I can showcase my work, connect with fellow artists, and witness firsthand the incredible evolution in our craft. After a hiatus, I jumped back into the convention scene, and it’s been a thrilling ride. The rising standard compelled me to rejoin, making it a perfect platform to exhibit what I’ve been working on. The Santiago Tattoo Expo 2023 was a particularly special experience, clinching first place in Oriental, and then there was the Expo Tattoo Atacama, where Oriental vibes scored another top spot. It’s not just a gathering; it’s a celebration of art, culture, and the indomitable spirit of tattooing
What’s your favorite tattoo convention so far?
Choosing a favorite tattoo convention is tough, but if I had to pick, it would be Expo Tattoo Atacama. I’ve been fortunate to attend several conventions, including a couple in Europe, but this one stood out. Picture this—being in the world’s driest desert was mind-blowing. The unique setting aside, being part of the Dont Cry Baby Products Pro Team added another layer of richness to the experience. It was a chance to showcase what I’ve been delving into—my vision, particularly in Japanese tattooing. Meeting fellow artists with exceptional skills added to the charm. Overall, it was a beautiful journey, and every aspect of it left an indelible mark on my memory.
What advice would you offer to someone considering a career as a tattoo artist?
Absolutely, as I’ve emphasized throughout my life, hard work is key—don’t give up. Drawing incessantly is crucial, but don’t fall in love with your art to the point where its aesthetic appeal blinds you to your mistakes. Remember those errors and learn from them, ensuring you don’t repeat them. This philosophy applies both as an artist and as a person. Authenticity is paramount; be true to yourself because that’s what will endure and leave your unique mark on this world. For me, the utmost importance lies in the quality of your work and your distinctive personal touch. In the long run, it’s what creates a lasting imprint, transcending the temporal nature of something without identity, designed merely for commercial purposes.
Who are the people you admire the most within the tattoo community?
Man, within the tattoo scene, there are some folks who I genuinely look up to. First and foremost, it’s got to be my wife. The privilege of sharing my days with her, learning from each other, and raising our little one—it’s a game-changer. She’s not just an amazing mom, but also a kickass artist. Our life together has taken a 180, man. Then, there’s Aarón Bell from Slave to the Needle. His vision, passion, and straight-up respect for tattooing? Inspiring as hell. Getting to know the dude behind the artist was mind-blowing. Oh, and Mirko Knauer from Skin Art Offenbach in Germany, a Japanese tattoo specialist and just an all-around awesome person. Going beyond the artist facade with him totally shifted my admiration for both. Killer tattooers and awesome human beings. Back home in Chile, Freddy Ampuero is a legend. I mean, the guy’s been through it all in a place where everything—books, machines, quality gear—is a mission to get. Big props to Freddy for carving his path in a time that was even tougher. Dude even jetted off to Japan multiple times to soak in that culture. That’s dedication. There are a ton of other tattoo buddies and artists I look up to, but man, listing them all? Impossible. The tattoo world is a crazy mix of talent and friendships, and I’m just soaking it all in. Cheers to the inked-up journey!
What’s your biggest accomplishment as a tattoo artist?
My journey as a tattoo artist has been nothing short of life-changing. Beyond the ink and artistry, it led me to my wife, and together we have a wonderful child who is the center of my world today. Pinpointing a single accomplishment is challenging because, as an artist, each achieved goal sparks the pursuit of another. In tangible terms, a recent and significant achievement for me was becoming part of the Pro Team at Dont Cry Baby Products. Their commitment to quality aligns with my standards, and being on the team has been an enriching experience. Working with Cris, the owner, who is an incredible person, has been a stroke of luck. Additionally, collaborating with Lucky Dragon Pigments, known for their plant-based pigments, has been another feather in my cap. Freddy Ampuero, a fellow tattoo artist and the brain behind Lucky Dragon Pigments, is someone who consistently seeks the best for his craft. Being part of both teams is a source of immense personal pride and accomplishment.
Do you do other forms of art besides tattooing?
Aside from tattooing, I find artistic expression in painting and music. Tapping into my creative reservoir, I take solace in playing the guitar, especially during moments of artistic blocks. Music, for me, is more than just sound; it’s a sensation. When I pick up my guitar, it’s akin to entering a meditative state where I can organize my thoughts. In those moments, all that matters is that the sound is pure and communicates. It’s a vital escape for me, providing a different avenue for self-expression and a refreshing break from the tattoo studio.
What are your goals or dreams for the near future?
I’m really excited about pushing my artistic boundaries further. I want to delve deeper into the fusion of traditional Japanese tattooing with a touch of South American vibrancy. Also, there’s this burning desire to explore more diverse themes and maybe experiment with a bit more of a neo-traditional style in my daily work. On the personal front, I’m aiming to strike that perfect balance between work and family life, continuing to find inspiration in everyday moments. And hey, who knows, maybe a tattoo art collaboration with some of the talented artists I admire is on the cards. Always dream big and stay passionate about this incredible journey!
Is there anything else you would like to tell our readers?
Absolutely, I’d like to share a piece of advice that has guided me through my tattooing journey: work hard, stay true to your unique style, and never stop learning. Embrace challenges, learn from mistakes, and let your individuality shine through in every piece of art. Remember, success in tattooing isn’t just about creating beautiful designs; it’s about leaving a lasting imprint with your personal touch. Also, a huge shoutout to everyone who has supported me, from clients to fellow artists. Your trust and appreciation fuel my passion. Keep the ink flowing and the creativity alive!
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